Roomful of Blues
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Roomful of Blues - With an almost non-stop performance schedule for the last 37 years, Roomful of Blues has earned critical, popular and radio success and a legion of fans around the globe. Twice, the prestigious Down Beat International Critics Poll selected Roomful of Blues as Best Blues Band. Roomful’s horn section has won The Blues Foundation’s W.C. Handy Award for “Best Instrumentalist” three times and in 2004 won the prestigious W.C. Handy award for “Best Blues Band. They joined the Alligator Records family with That's Right! in 2003. The CD received massive amounts of praise and received yet another Grammy© nomination. Now they're back with Standing Room Only, an utterly hip-shaking set of songs highlighting the vocal and instrumental power of the band.

Remaining together for so long is not simply a matter of survival, but rather a testament to Roomful of Blues' commitment to its originality and its ability to evolve. Currently an eight-piece unit led by guitarist Chris Vachon, the band has never sounded fresher or stronger. With vocalist/harpist Dave Howard, upright bassist Dimitri Gorodetsky, drummer Ephraim Lowell, keyboardist Travis Colby, baritone and tenor saxophonist Mark Earley along with long-time members tenor and alto saxophonist Rich Lataille (the longest-standing member of the group) and trumpeter Bob Enos, It all began in Westerly, Rhode Island in 1967 when guitarist Duke Robillard and keyboardist Al Copley started a band that played tough, no-holds-barred Chicago blues. They soon began exploring the swinging, jumping blues, R&B and jazz of the 1940s and 1950s, and added a horn section in 1970. The band's ability to ignite a sedate crowd into a dancing frenzy solidified their reputation as the best “little big band” in New England and expanded their following into New York and Washington. In 1974, they performed with Count Basie, and a few years later, legendary songwriter Doc Pomus helped them land their first record deal. In 1977, Roomful of Blues' self-titled debut album on Island Records (recently reissued on Hyena Records) brought them to the attention of fans and critics from coast to coast. Over the years there have been at least 44 Roomful of Blues members, each bringing his or her own unique talent and vision to the mix.

When founding member Duke Robillard left the band in 1980, equally talented guitarist Ronnie Earl replaced him. Singer Lou Ann Barton joined the band at this time, sharing vocals with Greg Piccolo. By now the band was touring nationally and attracting bigger and bigger crowds. Roomful recorded the critically acclaimed Hot Little Mama for their own Blue Flame label and two successful albums for the Varrick label during the 1980s. In 1994 they released Dance All Night, their first featuring guitarist Chris Vachon (who joined the band in 1990) and harpist/vocalist Sugar Ray Norcia. Radio play was increasing, as was the band's stature. Their 1995 album, the Grammy©-nominated Turn It On! Turn It Up!, was a remarkable mix of big band swing and rock 'n' roll, bringing the band its greatest radio and sales success to date, and giving them credibility with the rock radio audience. In addition to their band recordings, Roomful of Blues have often backed legendary musicians like Jimmy Witherspoon, Jimmy McCracklin, Roy Brown, Joe Turner, Eddie “Cleanhead” Vinson and Earl King—stars of the 1940s and 1950s blues scene, and the very people who created the music that Roomful still keeps vital and alive. Roomful recorded albums with Turner, Vinson and King during the 1980s, and all three recordings received Grammy© nominations. They backed rocker Pat Benatar on her 1991 album, True Love, further establishing Roomful of Blues' reputation as one of the best blues bands in the country. The Roomful Horns backed many other artists as well, including Canadian star Colin James on his double platinum album (in Canada), Colin James and the Little Big Band, and Stevie Ray Vaughan on his 1984 Live At Carnegie Hall album on Epic. As always, the driving philosophy of Roomful of Blues as a musicians' band puts the unit ahead of any one individual. Their winning combination of jump, swing, blues, R&B and soul remains their calling card, as does their ability to fill the dance floor.

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Grabow Entertainment has a proven history since 1983 in the corporate and private entertainment industry, and acts as an entertainment contractor and producer of private and corporate events. We do not claim or represent ourselves as the exclusive agent or management of all the artists included on our roster. We concentrate our efforts on serious inquiries of talent buyers. We are unable to answer fan club information requests, fan email, public relations contacts or questions , or personal requests for contact information for artists or speakers.